Showing posts with label picturebox. Show all posts
Showing posts with label picturebox. Show all posts

Wednesday, November 25, 2009

YOKOYAMA MURALS FOR NIKE HARAJUKU

I saw some cool pictures on the PictureBox site today. It seems that Same Hat favorite. Yuichi Yokoyama (Travel, New Engineering, Garden) was commissioned to create a massive mural at the NIKE flagship store in Harajuku. These photos taken from a NIKE HARAJUKU blog post:








This comes on the heels of his wall and store interior designs for the New People center in San Francisco. It seems like Yokoyama is turning into the go-to guy in Japan if you want to spice up

Since we're talking about PictureBox, it's worth noting that they now have some rad stuff by Takashi Nemoto for sale in their online shop, including a gallery exhibit poster from TrancePop, and two signed prints!
[Thanks to Jim for the head's up on the Nemoto stuff!]


Wednesday, January 28, 2009

BIG PICTUREBOX SALE EXTENDED TO FEBRUARY 8

A quick plug for the current sale going on at PictureBox right now, which has been extended until 2/8/09. If you didn't already know, PictureBox publishes a fair share of rad manga.



Details about the sale on their blog. A few highlights for Same Hat readers:
Each book is a stimulus package for the soul! Plus every purchase from now until February 8 will include a FREE copy of Paper Rad's DVD Problem Solvers. So, here we go:

* Curious about the book of which the New York Times exclaimed: "Few cartoonists of the moment are weirder or more original than Yuichi Yokoyama - his work obsessively diagrams architecture and design ... Travel is remarkably entertaining." Travel can now be yours for just $9.95!

* Want to dip into a graphic novel on nearly ever top ten of '08 list? Interested in Dune? Philip K. Dick? What about masterful drawing? Well, my friend, check out C.F.'s Powr Mastrs 2, now just $10!

* And then there's Monster Men Bureiko Lullaby! The Village Voice crows: "By depicting human behavior at its worst, Nemoto recalibrates the limits of what we can bear to consider on a page of comics." Damn straight. Yours for $8.95!

* Many consider Lauren Weinstein's The Goddess of War a shortform masterpiece of graphic storytelling. I sure do! Richard Gehr calls it a "A blend of Marvel's Thor comic, a Wagnerian space opera, and Anthony Mann's Westerns" Sounds right to me! Yours for just $7.95!

The sale also extends to rad prints by SH friend Jon Vermilyea. ONE NOTE: The shipping can be hella pricy (but fast), so you'll still be spending a bit here. But this seems to be the best way to get TRAVEL and MONSTER MEN direct.

Go here to check out their catalogue; The sale prices are already reflected and noted on each book's page.


Friday, January 16, 2009

BEST X OF EVERYTHING 2008: Manga!

It's a few weeks late, but here is the first in my series of YEAR-IN-REVIEW 2008 posts. I'm splitting things (perhaps unduly, so sue me) to the following categories: BEST MANGA! BEST COMICS! BEST BLOGS! and MOST ANTICIPATED IN 09! This is similar to what I did last year, except I smooshed all my best of 2007 lists into one post.

Since we're almost into the third week of 2008, I'll keep this short and get right to the list... I'm most interested in hearing your thoughts on my thoughts and what stuff I stupidly left out. I'll see you guys in the comments!

12. Red Colored Elegy by Seiichi Hayashi


Aside from the exterior book design/cover (which I still find sorta wretched), Drawn & Quarterly treated this gekiga and impressionistic book with love and care. Less of a narrative graphic novel than an experiment and whirlpool of gut-sucking malaise, I found myself depressed and worn-out by the end of the book. Now when do we get Tsuge's Nejishiki in English?

11. Suppli 2 by Okazaki Mari

Maybe it's a sign I'm moving through my mid-twenties and onto my late-twenties in the next little while, but I really was FEELING the female protagonist Minami. The depictions of work and office life, the subtle sexism of the corporate sphere and the angst about meeting and starting a real relationship with someone new is great in this series, volume 2 especially. What the fuck Tokyopop, don't kill this one off!

10. Monster 14 by Naoki Urasawa

The entire last half of Monster was a blur of excitement and shocks and-- dude, Urasawa! You are introducing new characters every 20 pages!?! While some folks balk at the ending (I wasn't so frustrated by it, myself), volume 14 was a high point in seinen drama, with Nina's discoveries at Red Rose Mansion (and the creepy-ass Velkooky Velkousty kid's book) give way to details on the night of Johan's shooting as a young boy. IN-TENSE. I love you, Urasawa.

9. Parasyte 3 by Hitoshi Iwaki

Volumes 4 and 5 are solid as well, but #3 is where the unraveling of Shin's humanity began to dawn on me and freak me out. The school battle in the second half of the book is brutal, with soupy gore covering an entire floor of a school. A dense and extremely satisfying book in which Iwaki finally started to poke the reality of the surrounding world. Also, a parasyte woman using the volcan death grip on her 2-month old baby?? PRICELESS. Iwaki has this thing under control, my friends.

8. Dororo #2 by Osamu Tezuka

First off, another round of applause to Peter Mendelsen for great book design work on this series. The entire series (while unfinished by Tezuka) weaves period drama with yokai folklore without making it bland or cheesy. The opening scene of Dororo's unabashed emotion at the samurai executions was surprisingly poignant. I also am down with any book that includes bad dads, moth demonesses and knife-wielding gender-bending.

7. Travel by Yoichi Yokoyama

Yokoyama is an alien, who speaks in a multi-dimensional language that is beyond the reach of our language-processing cortex. I can get why this book was a hard sell for some people, but I think it's one of the most interesting and important manga titles to be released in the last few years. Yokoyama depicts 3 dudes buying tickets, boarding a train, watching the scenery and finally, arriving. That's it, and it's jaw-dropping, a super-charged visual bunker buster that I keep coming back to.

6. The Drifting Classroom 11 by Kazuo Umezu

This is how all great series should end: reunited friends, psychic preschooler daisy chains, transdimensional surgery, dynamite teleportation, anarchist subtext, dismembered limb claw attacks, child-like hope and... NO SALVATION. Well goddamn, Umezu-san. That's it then. I bow down to you, sir.

5. Nana 8 by Ai Yazawa

Nana has reserved a place for itself near the top of my all-time favorite series (of any kind, in any medium) list. The entire recent run has been fantastic, but issue 8 marked the beginning of the end for Nana & Hachi's normal(?) life. The scene with Hachi & Shin killllllled me. This is some good shit, right here.

4. Monster Men Bureiko Lullaby by Takashi Nemoto

What is wrong with you people? Why haven't more people bought this book? I need to do a proper write-up sometime in the next few weeks, but PictureBox put their necks out with this gem (poopsicle?) of REAL, HONEST TO GOD, 100% UNDERGROUND MANGA. While it's easy to gross out friends with the depraved baby in the womb fucking mommy while getting pegged by daddy scene (And you thought you had seen it all before?), Monster Men is an extremely righteous and layered piece of heta-uma gold. Nemoto has the goods to make even me squirm a bit, but in this book he's also systemically taking apart and doling out commentary on class, the comics medium and contemporary Japanese society. A MUST-HAVE for Same Hat readers.

3. Goodbye & Other Stories by Yoshihiro Tatsumi

The top 3 are unshakable and golden manga classics, the best of the best and a rare treat to get so many quality, thick books like these in one year. Goodbye is the third in D&Q's (hopefully) continuing series of short story collections of Tatsumi's work. My GF and I were split about if this surpassed Abandon The Old in Tokyo in terms of raw power and literary merit (she says it's her favorite of the Tatsumi collections), but Goodbye & Other Stories is a triumph. I've read the first 100 pages of this year's A DRIFTING LIFE (the 830pg Tastumi autobiography) and I guarantee it will be at the top of all of our best of 2009 lists.

2. Black Jack #1 by Osamu Tezuka

BJ, the king of cool, came back into glorious print again. So far we've had two volumes, with 4 or 5 more volumes on the way in 2009. Black Jack is Tezuka at the top of his action and drama game, and this first volume was distilled goodness (with a few dashes of retarded Tezuka's patent over-indulgence and gooeyness). This book is like a super-concentrated formula of all things great about comics as a medium. Thank you for bringing this beautiful bad boy back, Vertical!

1. Disappearance Diary by Hideo Azuma

I read Azuma's funny and bleak autobiography about life as a manga artist in one full sitting, on an airplane heading home for the holidays. The story is served up to us in 4 sections, corresponding roughly to Azuma's own cycles of addiction, madness, and exhaustion. I never stopped feeling the tug of these sad episodes, even as Disappearance Diary broke into some utterly funny, and often mundane, daily episodes from Azuma's "disappeared" weeks and months . Other reviewers have done a better job explaining this book's greatness, but it was the manga that moved me most in 2008.

OTHER NOTABLES
After School Nightmare by Setona Mizushiro

I am not caught up with the most recent volumes, but I think After School Nightmare is one of the most fluid and intriguing series being published right now. I was put off by the cover and art for a long time, but when I finally sat down to read it I found a psychosexual and honest high school drama that I really could get into.

Solanin by Inio Asano

God, what kind of manga nerd am I? This would be up above on the list except I haven't finished reading it and made up my mind about this book. I'm actually about 200 pages into it, right now... Some folks loved the angst and floating nothing depiction of post-graduation life, while other mangasphere folks thought it was aimless and boring. I'm hooked right now, but need to see where we end up going (if anywhere) before I figure out exactly how I feel.

Cat Eyed Boy by Kazuo Umezu

While I loved Cat Eyed Boy, it couldnt quite compare to the raw madness of Drifting Classroom, or the more subtle and historical action-take on yokai in Dororo. That said, this 2-volume monstrosity it blissful and revolting, depicting a juvenile (but at times, intensely GROSS and CREEPY) series of unfortunate events. I feel like Viz has a few more Umezu series up their sleeves (Makoto-chan? My Name is Shingo? Baptism?) and I can't wait.

Tokyo Zombie by Yusaku Hanakuma

I can't in good conscience put a book Evan and I worked on into my "best of-" list, but I sincerely think this was one of the most pleasurable reads of the year (even after the 60+ times I read the book). Our first published translation/adaptation, Tokyo Zombie will always be near the top of my favorite manga list, of any year.

COMING VERY SOON: Best Comics! Best Blogs! and Most Anticipated 2009!

Thursday, November 06, 2008

ORIGINAL ARTWORK & PAINTINGS BY YUICHI YOKOYAMA

I'm gonna try to start posting stuff that isn't related the the zine (we'll see how long it lasts, haha). Recently on the PictureBox site, publisher Dan has shared some incredible original paintings and sketches by New Engineering and Travel author, Yuichi Yokoyama!



These pieces of original work were used in planning and production of PictureBox's gorgeous English editions of his work. Yokoyama has quickly become one of the contemporary artists I'm most fascinated with; his experimental and architectural manga is literally like nothing I've ever seen. When I read it, it really feels like the book was created by an aesthetically empathetic alien possessed by vastly superior sensory organs.

Just this week, Yokoyama's newly-released to America (and wordless!) manga, Travel, was named to PW's best comics of 2008 list. Originals below, and more here.



Sketches and layout ideas for the English edition of Travel


Paintings and faces for the Travel cover and jacket. (These look similar to paintings of his I saw in Kyoto earlier this year.)


Crazy little dudes for the inside jackets of Travel


Cover paintings for the English edition of New Engineering, also from PictureBox.


In other news... UPCOMING POSTS I'M WORKING ON:
+ Alternative Press Expo recap and pictures of The Bang Gang's incredible new books!
+ Summary and photos from Sean Michael Wilson's ALTERNATIVE MANGA talk that I helped out with...
+ Pictures and report from the Halloween Shintaro Kago event from Nate in Tokyo

Wednesday, October 15, 2008

NEW YOKOYAMA & NEMOTO FROM PICTUREBOX

For those Same Hat readers not (yet) financially-devastated by the past few week's global meltdown, PictureBox Inc out of Brooklyn has just released two incredible art manga books! These officially debuted at SPX two weekends ago, but according to the PB blog, will be shipping out to buyers in the coming week or so. Here is a quick recap and preview images of these fantastic titles:

+TRAVEL by Yuichi Yokoyama


A wordless graphic novel, I picked up and read the Japanese edition of Travel this past spring at a Book-Off in Kyoto. It's more linear and direct in some ways than PictureBox's other Yokoyama release, New Engineering, but also a bit more more cereberal. Not to slag off PB, but the production for the book (being wordless) must have been quite easy. That said, Yokoyama fills the end of his books with dozens and dozens of dense footnotes and commentary, which are preserved and translated here. The sad bit for us not at SPX, according to their site is that, "All SPX copies are signed with a drawing by Yokoyama." From the PB description:
In Yuichi Yokoyama’s Travel, the storyline is as linear as it is sharp: it is the long, silent and crystalline description of a train ride undertaken by three men. The subject Yokoyama depicts here is less the landscape around the train (the distance covered, the regions travelled through) than the actions within the train itself. As the train moves, the three men walk through the string of cars and are confronted with the vehicle’s architecture, its machine-like environment. By above all, they are confronted with the stares and the physical presence of other passengers. Travel is a journey into the contemporary Japanese psyche – a brilliant, wordless graphic novel.

Bookforum has written of Yokoyama: “Concerned with phenomena rather than character and narrative, his comics resemble the output of a drafting machine: sequences that present multiple views of an object in action and look like exploded product diagrams. Yokoyama seems to enjoy the resulting images as much for the strange shapes that are generated as for what they reveal.” This edition features an introduction by cartoonist and historian Paul Karasik and commentary by the author.



A shot of the book itself, from the PB site

Visit the PictureBox page for more details.

+MONSTER MEN BUREIKO LULLABY by Takashi Nemoto


From the PB description:
“Nemoto is the undisputed master of filthy comics. His work is brutal and horrifying and sure to shock even the most jaded comics reader. And yet underneath all his absurd depravity is a beautiful and touching story of a father’s love for his giant mutant sperm son.”-Johnny Ryan

At long last, this underground Japanese classic has been translated into English. A seminal work of manga from the mid-1980s, Monster Man Bureiko Lullaby is a Candide-esque tale–if you can picture Candide as a mutated sperm brought to life by radioactivity. Unremittingly explicit, this is the comics equivalent of Henry Miller at his best: direct, honest and insightful while simultaneously beautiful and grotesque. Tokyo-based Takashi Nemoto, who was born in 1958, has been called the R. Crumb of Japan: Nemoto and Crumb share a similar, surreal drawing style and pessimistic, satirical stance, for which both have faced their share of negative criticism. Due to his unapologetically squalid subject matter, Nemoto has long been a controversial figure in Japan–clashing violently with mainstream Japanese morals–and is just now receiving some critical success there.





In addition to being a fascinating and utterly unique read (nestled in the growing but still genre-deficient US manga market), the book itself was designed by heta-uma King Terry. The book production and hand-lettering was done by artist (and new friend of Same Hat) Jon Vermilyea. I only have the shots from the PB site to go on so far, but it looks to be a masterful and badass bit of lettering.

Visit the PictureBox page for more details.

Tuesday, June 10, 2008

HOT ASS SWELTERING MoCCA RECAP

I've just gotten back from MoCCA and thermometer-busting heat out in New York. My main agenda was to hang out with friends and meet cartoonists, pick up tons of new comics, and show off Tokyo Zombie to anyone who'd take a look. On all three accounts it was a rousing success.

Major thanks to my buddy Anne for putting me up in Brooklyn. I'm sorry I sweated on you guys' hideaway bed. And three cheers for internet friendships finally coming to real life fruition, as I finally got to hang out IRL with David (of SEIBEI) and Helene (of TOASTY) for comics, beer and karaoke fun.


Without further ado, a(nother) visual recap of MoCCA!

DAY ONE
I arrived at JFK on the swank Virgin America (thank you, purple overhead lights and live streaming Daily Show) in the afternoon, and went straight to Brooklyn. After dinner, ice cream and coffee, Anne and I checked out an in-store signing appearance by Jason at her local shop, the famous Rocketship.


Poster of Jason show in the window of Rocketship


Starting to get steamy already: the crowd in the store


One of my absolute favorite cartoonists, Jason looks somewhat like one of his tall, humane cat characters.


Making faces through the spinner rack, featuring his new collection of early comics Pocket Full of Rain.


Jason's original comic pages (in French) on the wall


Jason's everycat man drawing on the butcher paper wall


Jason singing Anne's book (with a gold paint marker, no less)

DAY TWO
We spent all day Saturday walking the floors of the con. It got to the upper-90s outside, and the fans and AC in the Puck Building struggled to keep it cool. On the 7th floor (home of small artists and unfortunate folks) there was no AC and it started to smell like beef jerky. The main floor spanned 3 large rooms and was well represented by all of Same Hat's favorite publishers.

We met up with David and Helene, saw friends like Julia (of FART PARTY) and got sweaty over a veritable cornucopia of genius cartoonists and exciting authors. (Let's see how many times I can mention the heat and sweat... can you tell I'm a wimpy Northern California whiner?)


Sweat town, USA.


Learned from Terry at NBM that a new volume of Dungeon: Monstres is in the works for later this summer. YES!


Adrian Tomine looks mildy heat-stroked (pic stolen from anne)


Part of the wide swatch of goodies at the PictureBox booth. I met the publisher Dan Nadel, who mentioned they have plans for a number of upcoming manga releases for the rest of 2008 and 2009. One of the mangaka on their list: Yoshikazu Ebisu!


Filmmaker Michel Gondry and his son Paul (in the back in the punk Gaultier outfit) are cartoonists. Both were signing their new books, released by PictureBox.


Gondry and cartoonist CF signing for fans. I think most folks may have not realized that Gondry was there, as his line was somewhat short every time we walked by the booth... Weird.


Gary Panter looks cranky but he was insanely nice and willing to chat with a dumb fan like me. I can't wait to save up and get the magnum opus retrospective on him that was just released.


Kaz is working on Mourning Star Volume 2 (YES!) and is a very nice dude. (again, pic stolen from anne)

Later we went to many many bars trying to fight off heatstroke with beer (hint: it doesn't work that well), sang karaoke and then had ice cream in Chinatown.


Evidence of intoxication: David rocking his own designs and breaking it down Scatman-style during Spin Doctor's Two Princes

DAY THREE
No respite from the heat on Sunday, we decided to hit MoCCA for a quick final bit of shopping, and also went to our one and only panel: Chip Kidd discussing the upcoming Bat-Manga! book from Pantheon he edited (and for which Anne translated these old comics). Back at the con after the talk, the basement of the Puck Building caught on fire and all of indie comic nerdom was forced out on the street by the NYFD. That was when we took off for a WBNA game at Madison Square Garden (you think I jest, but I am telling the truth).


Jason Shiga couldn't get a booth in time, so he set up a stand outside on the street (in the 97 degree heat). When the building was evacuated, guess who got a bunch of sales at his booth? THE FIRE = ACCIDENT? or ARSON?


Full house over at the MoCCA gallery where Chip Kidd's Bat-Manga! talk was held. He went over the history of Jiro Kuwata's Batman manga from the late '60s and showed off a number of pages. This is gonna be a radical book.


Chip Kidd (rocking some here unseen plaid bermuda shorts) signing the Bat-Manga sampler after his talk.


An image from Chip's blog with details on the book.


I got to meet Michael Kupperman! Since my GF introduced me to his stuff a few years ago, I've stalked down his comics religiously. He was nice enough to take the time to sign my autograph book. He also mentioned that Tales Designed to Thrizzle #4 is coming out in August and that he'd worked on a TV pilot based on Snack & Bacon for Adult Swim. YES, YES, and YES!


Aforementioned fire meant it was time to go. Luckily a meteor did not fall to the Manhattan sidewalk and wipe out the entire indie comics industry.

Next up is SF Zinefest and then the big show-- San Diego Comic-Con! Hope to see a ton of you guys there!

OBLIGATORY MoCCA 2008 COMICS HAUL PHOTOS

The Mourning Star temporary tattoos
Gekiga sampler (Red-Colored Elegy, Good-Bye)
National Waste Postal Cards by Leif Goldberg
The Mourning Star, Side Story #3 by Kazimir Strzepek
Slime Freak #7 by Carlos Gonzalez
Hey, 4-Eyes! zine edited by Robyn Chapman
Crickets #1 and #2 by Sammy Harkham
Too Cool To Be Forgotten candy cigarettes
Pocket Full of Rain by Jason
The Archer by Nate Doyle
Nerd Burglar (Sampler from Tugboat Press, Dinosaur Teenage, Sparkplug Books)
Micro-Comics from Paul Curtis


We Lost The War But Not The Battle; a revengeful story by Michel Gondry
The Goddess of War by Lauren R. Weinstein
Red-Colored Elegy by Seiichi Hayashi (Anne & I got the last two copies of their advanced previews of this amazing book. I'll post a preview later this week!)
The Crystal Depletion (and How We Tried to Stop It) by Caitlin Williams, Eric Womack, and Sarah Milinski
Folk Wars by Erin Womack
The Princes of Time by Jon Vermilyea
SNOOPee by Ken Kagami

not pictured:
Too Cool To Be Forgotten by Alex Robinson (signed for my GF)
Janes in Love by Cecil Castellucci and Jim Rugg
Super Spy by Matt Kindt (signed for my GF)
Bat-Manga preview by Chip Kidd

PS: They had fucking DOOM on the Virgin in-flight entertainment console. WTF? I played for like 2 straight hours.