("Friends of Same Hat" by our friend Jillian Tamaki)
FOR REAL, SOME GREAT THINGS AHEAD IN 2013: More posts, new contributors, print zines, a new t-shirt, a hosted Forum for us!







Space Fanzine Yamato is published by Steve Harrison, Ardith Carlton, and Jerry Fellows in Michigan as "the ultimate information source" on Space Battleship Yamato/Star Blazers. This is the first American fan effort to produce a "Roman Album"-style complete information guide to a particular anime title.

ANT: There’s some stuff written about other early fandoms – whether it’s science fiction fandom or American comic book fandom – that thing when a sub-culture scene later turns into a big business. I’m always curious about how that gets started. The people you knew in the US who read your first book were probably part of a sort of vanguard of manga or anime fans. Who were those people? Were they science fiction fans? Dungeons and Dragons people? Or Japanophiles?
FRED: I knew a lot of those people in the very beginning, the people from the really enthusiastic manga and anime fans were very unusual people. Jared and I were actually working and interpreting for Tezuka on an early trip – I think ’79 or 1980, I don’t remember the exact date, but I know that we went to see the C/FO folks (Cartoon Fantasy Organization) and I had never met people like that in my life. It was almost frightening. [LAUGHS] I had never met people who were so dedicated to something which was so obscure in the United States at the time, and it was a very small group. But they were people who became quite big in fandom, such as Fred Patton in particular, he was a real central figure in American fandom, and still is.
They were people who were obsessed with anime – more anime than manga, very few people could read it because there weren’t any English manga available. So their entry point had been actually the early 60s anime that was shown in the United States, such as Astro Boy and Kimba the White Lion. Fred Patten's good friend Robin Leyden from the C/FO was a huge Astro Boy fan, the likes of which you’d rarely see. He later on became a special effects animator. Robyn actually made a model of Astro Boy and presented it to Tezuka...
ANT: What was Tezuka’s reaction to that, to these strange American anime fans?
FRED: Oh, he was overwhelmed. [Tezuka] had been in contact with some of them even before Jared and I met him. But they were the first Anime fans in the US, to such a serious degree. Almost scary. These were not people who were interested in Japanese business or technology or anything like that. They were just focused on anime, the characters and the stories, they just loved it. So it was actually very touching.
ANT: It seems like a lot of those people in the early 80s were the ones that eventually drummed up interest in anime, and a lot of them were the people who first ones that did fan subtitles.
FRED: That’s right. And organized the first conventions.



A colleague of mine in Tokyo is currently writing about the famous manga script writer Koike Kazuo of "Lone Wolf and Cub" and "Crying Freeman" fame. He recently asked me some questions about the reception and reputation of Koike Kazuo in North America. Having first come into contact with his work in Japan, I was not sure how to answer. So on his behalf, and to satisfy my own curiosity, I wonder if readers of Same Hat might be able to share some facts or general impressions or anecdotes? The more specific people can be about dates and places et cetera, the more helpful it would be.
First, does anyone know the history of how Koike's work came to be translated in the United States? Is there an industry back story of any note? Also, any thoughts about what kind of audience his work was initially marketed to – age-wise, reading taste-wise, et cetera? Was there any substantial critical response at the time?
Second, Frank Miller's admiration of Koike Kazuo is well-known. I wonder if anyone could flesh out the details of that, and the various ways in which it shaped Miller's work, or how Miller was involved in popularizing Koike's work? I am aware that Miller/Varley did covers for Lone Wolf and Cub, and the impact on Ronin and Sin City…but I am wondering if anyone might be able to expand on that.
Third, it seems the status of writers is much lower than that of artists when it comes to comics in North America. Do you think this might also be the case for Koike? In other words, do people first think of Kojima Goseki and Ikegami Ryoichi when the titles of Koike's work come up?
Last, in the early 70s, Koike was writing a Japanese version of the "Hulk" for Bokura Magazine. It has never been collected, and probably never will be because of copyright issues. My colleague is wondering whether, in North America, at the time of "Lone Wolf and Cub's" release, would it have had the same readership as the Hulk? He’s trying again to get a sense of if the readership of Koike's work in Japan overlaps with that elsewhere?
Sorry for the many and lengthy questions. Any help would be greatly appreciated.

"Thanks for this treasure trove of information. It's amazingly helpful and much much more than I had hoped for. I apologize for not being active on the posting myself. On the one hand, I couldn't be of much use as my contact with Koike's work has been almost entirely in Japan. Also, I have been too buried in circa 1960 "hardboiled" manga the past few weeks -- essentially the breeding ground for Koike-type gekiga. Maybe I can return the favor in a week or so with some gems from that world. Again, thank you thank you"

If you haven't used the Google Maps My Maps feature, it's basically a way to create custom maps by pinpointing specific spots (think: The Kazuo Umezu Makoto-chan house), insertings overlays (think: A scanned floorplan to the Nakano Broadway mall's shops) or drawing custom routes and shapes. You can choose the icon associated with each entry you add, and Google provides pre-made icons to denote shops, train stations, and shopping. Evan and I also whipped up a few Same Hat icons for Sentai toy shops and Umezu, Maruo and other hot spots.
With the SHGTE, the focus isn't on duplicating the work of others, but thinking about what your fellow readers would have in common with you and wanna know about; Basically what is the shit you'd send in an email to a friend going to that/your city for the first time?
QR is a 2D barcode format that's common in Japan but still hasn't caught on yet in backwardsville, America. They're used commonly to encode text, URLs and other secret messages.